Hannah Bright
Ashok Chakravarthy
Emily Clairemont
Richard Fein
Joneve McCormick  
   
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Tom (WORDWULF) SternerHowe

TOM [WORDWULF] STERNERHOWE began to sing to his fellow Child prisoners in the West Denver Housing Projects in the '60s. He spent the '70s and '80s howling his lyrics in rock 'n roll whiskey bars. He found passion in friction, the guttural growl of his Harley Davidson Hawg and the monster men he rode with. A native son of Colorado, he lives in Lafayette with wife Karen, her two sons and his youngest son, Zedidiah. Family and riding his Harley Davidson fill up the hours left over from creative enterprises. SternerHowe has been extensively published in independent literary magazines including Howling Dog Press/Omega, Flesh From Ashes, Silence Speaks, Skyline Literary Magazine, Apollo's Lyre, etc. He is winner of the Marija Cerjak Award for Avant-Garde/Experimental Writing 2001, 2002 & 2003. A bibliography of his writing credits and writing samples may be viewed at: http://tomsternerhowe.freeservers.com/about.html. His first novel, 'Madman Chronicles: The Warrior' (ISBN# 1-59286-793-6), is available at his website.

Weblinks: http://pages.prodigy.net/sterner-howe
               
http://www.publishamerica.com 

 

Flatfoot

We so seek
some affirmation of faith
confirmation of existence
as if digging deeper affects
the bottom of the hole
some hollow measurement
vertical disfigurement

In a fumbled effort to ascend
man would destroy a mountain
fall down its stand of trees
later, scratch his head
and wonder where it went


Sketch

Riding into that Eastern sky
I see you had your brushes out

Each time I think you’ve done
quite as much as can be done
you provide yet another
broad strokes and fine-line whispers
a soaring polka dot sprinkle
to draw and tantalize my eye
would choose to live in dawns and sunsets

A twilight dreamer your art
fascinates and intrigues me
What your sun and night take away
make new art of themselves
wide and blue...  star array

Give me a window
hopeful interpretation
for all that I see


No Beggar Simple

I saw him first one September morn
a rotund personage
and yesterday
taking aluminum cans from the trash
but not today
As I parked in the lot
his arm arched out
as if he were involved in a great sowing
A wing appeared from behind his hand
then I saw the gulls

The tin-can man
was transformed before me
into one who calls birds from the sky
Before my eyes, buildings disappeared
the tarmac became a field of tall grass
The sound of waves breaking
joined the calls of the white swooping birds
This man, their friend, strolled
before the windscreen of my pickup
oblivious of me and transcended of moment
His greater being, truer self shone
the bag filled with cans lain aside
in favor of hands and heart full of love
for his fellow creatures


Ode to Eos

Waking up to lavender skies
peeling off layers of sleep
the future comes from the East
dreams and schemes of deliverance
appear as opiate phantasies
spider cross such web of morning

Eos resides in our souls
immune to time’s messages
whose breath fresh is dawn
whispers aweigh; secrets of night
lain on cloud pillow
held high and higher yet
promises to self are kept

Lift me up; sing to me
voices fresh amorning
these are cleansing of solitude
a lullaby and just before
full consciousness eve is lost
behold the celebration
to which dawn aspires


The Madnesses:
Writes of Spring


Love.  Ah yes, what else is there in the Spring...  youth..  the bloom of youth on love’s face.  A poet would name it so and never Summer, that lustiest season of all.  The rebirth of all things cries out regeneration, reaching to the Sun, a smoldering fire.

A scent of lilacs in the city and country hay alfalfa are the stuff of sweet dreams, each purple shade an infancy of desire.  Memories serve and quiet us not of a Springtime scent.  First he wonders, will she speak; then, oh my, what will I say...  through a dribble of drool sweet day.

She wonders at him, silly boy.  Her hand longs to be held.  She blushes for him in his state of stutters.  He concentrates on the top of her head, her angel’s hair, ‘til his lips make her name.  She is all flustered, then blushes a bit for herself.  Her hand longs to be held, what else..

Nearby, robins danse, strutting red breasts apart, heads bobbing, eyes on eyes, ebon orbs rapt; a primordial wreath hung between them.  White moths flutter in mist haloes above swaying blades of grass.  Gardeners guard darling sprouts array.  Bicycle Children stop to dap stones on still waters’ face.  The voyeur falls off his bench.

Our soon lovers go each apart to their homes where true madness begins.  His dinner untouched, an unprecedented event; mother cannot imagine what has caused his vacant-eyed and feverish mien. She has experienced these phenomena but never outside her personal sphere.  She lies him down, an ice-pack on his forehead and wonders the matter. 

Our girl is a-dither.  She flits about, her wandering way a path butterflies might find cause to follow.  Glass and mirrors give her pause, serve to verify what she saw in his eyes.  Father sends her to her room, admonishes her to settle down, sits in his worry chair and wonders the matter.

These three have marked time, the girl and boy, and poet voyeur.  By some fantastic coincidence, the very next day, they are found in their same places.  The young couple walks, her woman-girl voice a merry verse to the poet.  He is portly come stately, his stage-prop a cane which he twirls a couple of times as he meanders a wander to follow. 

Her voice at once disarms the boy, challenges and forbids him.  A Spring breeze plays tickle with his hairline beads of sweat.  He thinks maybe he should ask her but there is no room between her chatter. For this he is both thankful and confused.  He bites his tongue while his hand takes a mind of its own.  It actually touches her fingers.  She responds with a squeeze and the next thing you know..  they are walking hand-in-hand.  This delicate, exotic, angel creature has, in a single gesture, answered every prayer, each and only, the wishes of his heart. They stop as our aged poet drops his cane and claps his hands.  Eye to eye, the three are one, a primordial wreath hung between them.  Our poet bends to pick up his cane, back complaining.  By the time he is erect, they are moving, swaying together in the dapple shade of budding trees. 

He finds a bench, a bit of shade for himself, squints his eyes, the more to see.  They are face to face, hand to hand to hand to hand.  She thinks, maybe a kiss, maybe a kiss my first.  Our boy thinks the same, of course.  Then realizes he has cut his tongue, a tiny bit of copper-warm blood, reassuring somehow.  Will she come tomorrow, he asks.  I have a walk each day, she confides.  Me too, he smiles...  same time?  She is shocked to see herself so in his eyes, skips away.  A flirting glance back, we’ll see.

Our poet watches them go their ways, then bends to the scrawls in his notebook.  A chuckle of youth borrowed slips past his lips.  His cane in the crook of an arm, there is an uncharacteristic spring in his step as he returns down the path.  No need to wonder the matter.  He smiles to himself, imagining the words, the end he will write to this piece, the sharing of lovers, his wonderful madness, its spiral web of time.


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